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This box station is one of the Criterion Collection’s best releases yet. In this station are 3 films.
Alexander Nevsky and Ivan the Poor (Ivan Grozny) parts 1 and 2.
Alexander Nevsky is based on the accurate memoir of 13th century Prince Alexander Nevsky who helped fend off Teutonic (German) soldiers out of what is now Russia.
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The film has an splendid catch quiet for the film by Sergei Prokofiev. The acting in the film is also very righteous also. The film was very accepted and was temporarily banned by Stalin after Germany signed a nonagression pact with the Soviet Union.
The film is on disc 1 and has the following special features.
Restoration demonstration, Production stills and storyboard drawings, a multimedia essay by Russel Merrit on Sergei Eisenstein’s work with Sergei Prokofiev on the film’s catch, an feature length essay on the film by David Bordwell, who wrote a book on Eisenstein’s films, and there is also stills and dialog from Eisentein’s unfinished film, Bezhin Meadow with photos of the film’s position.
Ivan the Bad parts 1 and 2 are the first two parts of an unfinished trilogy. Several scenes of allotment 3 were filmed but only one scene is known to survive today.
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The film follows the life of Tsar Ivan Vassilivich also known as Ivan the Dreadful (Ivan Groznyy) . He is credited with uniting the people of Russia into a single nation. The first film covers his coronation and a battle that was fought to reclaim lost territory. The film is also very eminent and has music by Prokofiev.
The first share on disc 2 has the folloving special features:
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The deleted prologue sequence covering allotment of Ivan’s childhood where he witnesses the poisoning assassinate of his mother and also contains another deleted scene. It also has the surviving portion of the unfinished fraction 3 There are also a sail reveal of production stills and drawings, and an essay on the history of the film.
Part 2 covers the time where Tsar Ivan roots out the traitors who helped poison his wife and executes them.
The film has an favorable Color sequence cofering worthy of the last 30 minutes of the film. The Agfacolor film stock was captured from the Germans during WWII and was faded for this film. The cinematography is really gpood and there is a flashback sequence from the deleted prologue of allotment 1
Disc 3 also contains an audio essay by Yuri Tsivian on the fine cinematography of the film.
The space is well worth the $79 if you are a fan of Russian Cinema like I am. This station remains one of my favorites and it is really worth looking into.
Alexander Nevsky is a absorbing pro-Soviet propaganda fraction partially intended as a warning to Hitler at the time not to invade Russia. The tale battle on the frozen lake is justly distinguished and the sheer scope of the logistics of filming are impressive. Some of the characters are somewhat cliche stock creations of the time including the two soldiers fighting for the appreciate of one woman who must show themselves in battle, but overall it’s a modest success.
The exact prize in this three film Criterion spot however is of course Ivan the Abominable parts 1 and 2, a mountainous masterpiece, Eisenstein’s most “delicious” film(s) and indeed one of the oddest works to emerge from Soviet cinema of the time. Highly expressionistic visuals combine with a melodramatic (and slightly revisionist) choose of Ivan’s life to gain one of the stranger filmic experiences one will peer. Eisenstein clearly had a very highly developed visual style and the numerous obscene close-ups of faces are wonderful as are the sets and costumes. Fraction 2 doesn’t quite live up to the promise of piece 1 but nevertheless brings the characters to an appropriate conclusion. Bizarrely laughable (perhaps unintentionally at times) Ivan is nevertheless a film more for afficionados than for the casual viewer looking for another classic in the mould of Casablanca.
Regarding the transfers, they are safe and anyone expecting better prints is simply not being realistic regarding the age of the material and the conditions in which they were kept. While not as pristine looking as other new releases of 40′s films on DVD such as Shadow of a Doubt or Monsieur Hulot’s Holiday they are more than adequate considering given the circumstances.
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