Shop For 25th Birthday Musical Celebration On-line.
Saturday, July 31st, 2010Product: 25th Birthday Musical Celebration
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Both my toddler and I loved this video. For my toddler, it has several advantages: one, it’s an hour long and can replace Sesame Street itself if you missed it that day (honest net an Elmo’s World tape to follow up) . Two, it has a fat cast that includes the newer characters who weren’t around in my day: Elmo, Telly, Prairie Dawn and many others perform an appearance. Third, the celebrity cameos are few and relieve the storyline well.
As a ragged puppeteer and avid Sesame Street fan, I really enjoyed watching it myself. It has faded clips that have almost disappeared: the fresh “Rubber Ducky” with the floating bubbles, “C is for Cookie,” “I’m an Aardvark, and I’m proud,” and some of the letter and number clips you might remember as a kid. I also liked that the storyline was filmed outdoors, making the production values somewhat better than other Sesame Street videos. Having a store of all the “valuable” songs is really useful, too.
Enjoy this video with your kids – and recount them about the “olden days” when Snuffy was an imaginary friend of Stout Bird’s and Ernie grew critters – what were those things called? – in his window box.
Watching this video is very similar to watching an episode of Sesame Street on PBS…only not exactly the same Sesame Street that’s on the airwaves today. It has musical clips from various episodes throughout the lifespan of Sesame Street and contains more clips of Bert & Ernie and Grover than you will stare in a typical episode in 2001.
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It’s not fair a series of traditional clips, however. The clips and modern material are woven into a yarn of Astronomical Bird looking for LaLa-ers for the display that the Sesame Street characters are planning. Not everything fits unbiased apt, but it is fun to glance and grunt and dance to.
The most indispensable reason for my high recommendation of this video is the fact that my 22-month-old son is FACINATED by it. It may not be teaching him his numbers or his alphabet, but he is starting to try to utter along.
Not the absolute Best Video out there, but thoroughly luscious and worth the note.
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Order The Judy Garland Holiday Special DVD At Amazon!
Friday, July 30th, 2010Product: The Judy Garland Holiday Special
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This DVD area features the Christmas episode from “The Judy Garland Exhibit” that was taped December 6, 1963 and aired on December 22, 1963. Judy Garland, along with the rest of the world, was deeply shadowy as this was produced only a few days after President Kennedy was assassinated. Judy especially was having a hard time as the President was a stop friend of hers. Nevertheless, this Christmas point to has gone on to be one of the most beautifully produced Holiday specials ever made for television. It was also Judy’s well-liked out of the 26 shows she made. Miss Garland is joined by her children Liza Minnelli, Lorna Luft (in her TV singing debut), and Joey Luft. Mel Torme and Jack Jones also guest star. Songs in this incredible episode are “Jingle Bells”, “Santa Claus Is Comin’ To Town”, “Calm Night”, “Deck The Halls”, “Have Youself A Merry Dinky Christmas”, and more. The highlight is Judy’s rendition of “Over The Rainbow” that she performs as a closing number. You will gawk this timeless classic every Holiday season!
I have watched this many times and each time I explore it I have to say it gets more spicy. The Judy Garland Note has stood the test of time over the years, and this episode from that series is not exception. Each song is thrilling and to examine her with her children is a true treat. The folks at Pioneer Entertainment have done a substantial service to us all by restoring this demonstrate from unique video elements and creating a elegant 5.1 experience. From one of the best singers of the 20th century comes a treat that you will be pleased over and over again. Win this DVD you will not be sorry.
FHI Flat Iron
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Grab HD Moods: FIRE At Amazon.com!
Thursday, July 29th, 2010Product: HD Moods: FIRE
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Just bought this earlier this evening, and it’s perfect. I was surprised to peruse that this company had made another “fireplace” blu ray before, but was infamous what with the children and phones, etc. This company must have gotten the feedback, because there is NONE of that on this updated one.
Just the sights and sounds of five different fires. All of which inspect stout, and really demonstrate off the blu-ray quality. My only predicament is that the beach scene in this video isn’t quite “beach-y”. It’s more like you are at a lake reach the woods as you don’t hear sounds of waves in the background, but the natural ambiance of birds chirping and other outdoor noises. However these work impartial as well!
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A gargantuan consume, and again, if you’re unnerved because of the previous version of this disc, don’t pains. It’s fixed, and it’s now what you were looking for. No complaints here.
I’ve been looking for a pleasant fireplace blu-ray disc for employ during the holidays. But, every one I’ve seen has always been lacking in quality. When I heard this one had been re-done to address quality issues, I decided to give it a try. The result is enormous. You win several scene options, and each looks astonishing in high-definition. And the sound options are welcome as well. You can resolve to hear the crackling fireplace alone, or you can hear scene appropriate music. Well, I almost knocked a star off of the review for the music (I impartial didn’t like some of it), but I was looking for the fireplace sound alone, so I left it alone. The music seems to be a mix of midi and synthesizer music. Some people may like it, but unprejudiced give me the fireplace itself, and I’m elated.
Steady camera, and the scene is never interrupted. If you are going to bewitch a fireplace…um, simulator, this is the one to collect.
Bowtrol
Total Gym XLS
Shop For Star Trek II: The Wrath of Khan – The Director’s Cut Online.
Wednesday, July 28th, 2010Product: Star Trek II: The Wrath of Khan – The Director’s Cut
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I objective bought this DVD…, and the verdict is in: It’s a blast!!!
THE MOVIE: Certanily one of the best Star Amble movies. Although the main position about revenge is a bit too basic, the sub-plots, including the addition of Kirk’s ex-wife and son, makes the movie better. The action is well paced and the special effects are marevelous. Also, the “expanded director’s edition” featured on this DVD adds about 5 extra minutes to the movie. The added footage does runt to befriend the residence, but does a large deal to flesh out more of the minor characters, such as Kirk’s son and Lt. Saavik. Also, the last 15 minutes of the film (some added dialogue was attach in there to have a dinky bit more emotional impact at the raze of the film) made me jump the grade of the film from a “B” to an “A+.”
THE DVD: In addition to having a crisp, distinct characterize transfer of the film with oustanding sound, the first disc has a nice audio commentary from the director and an even nicer text commentary from Michael Okuda, co-author of the Star Slouch Encyclopedia. (That guy knows EVERY SINGLE Slight DETAIL THAT OTHER PEOPLE WOULD NOT EVEN KNOW A THING ABOUT that regards to Star Budge.) The second disc contains the following:
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1) The Captain’s Log: A 27-minute documentary featuring label unusual interviews with Leonard Nimoy, William Shatner, director Nicholas Meyer, Ricardo Montalban, and others. They talk about how they originally intended to set aside the film together, how they eventually ended up completing that task, and other things.
2) Designing Khan: A 23-minute documentary that features interviews with director Nicholas Meyers, the costume designer, and the production designer. They discuss the transitions they made in costume and production effect from the ST:TMP to ST2:TWOK.
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3) Visual Effects: An 18-minute featurette that has interviews with the FX crew. They clarify how they executed and completed the FX shots. (Enormous surprise there)
4) The Star Go Universe: A 28-minute documetary that features interviews with two Star Slip recent writers. They discuss how they hold in the gaps between the movies with their books and where they procure their ideas.
5) Modern Interviews: Basically 10 minutes of interviews (from 1982) featuring William Shatner, Leonard Nimoy, Ricardo Montalban, and Deforest Kelley.
6) Archives: The archives feature 10 unusual storyboard sequences. (That determined beats the storyboard archives on the ST:TMP DVD, which features a mere 3 storyboard sequences.) There is also a thatrical trailer.
So, there you have it. A mammoth movie with a packed DVD equals a titanic acquire. Lift as soon as possible.
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1982; 116 minutes; Rated PG for still obscenity, some sequences of sc-fi action/violence, and brief shots of the aftermaths of brutal murders.
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(I DO assume this movie should have been rated PG-13, but the rating didn’t exist then. Eye and think for yourself.) …
In the wake of Robert Wise’s “director’s edition” of STAR TREK: THE MOTION Relate, it was only a matter of time before Nicholas Meyer’s STAR Streak II: THE WRATH OF KHAN was awarded the same treatment. Half a year later, KHAN does indeed come by the royal treatment with a 2-disc spot loaded with extras and fan tidbits galore. The package includes a slightly extended “director’s sever” of KHAN that restores a necessary position point (namely, the young cadet who dies in Scotty’s arms is actually Scotty’s nephew) and a few brief clippings of dialogue (mostly back-and-forth exchanges among the main cast) ; a commentary by Meyer in which he discusses both the film and his approaches to filmmaking; a text commentary by STAR TREK’s long-time technical point man Michael Okuda that’s packed with more fanboy knowledge than a game of Trivial Pursuit; cast interviews from 1982 (in which Leonard Nimoy wears a pink and white striped suit that makes him spy like a pimp) ; three documentaries covering the making of the film; “A Unique Advance,” a documentary where Trail authors Julia Ecklar and Greg Cox discuss how KHAN’s place elements spun off into the Swagger novels; the film’s FX storyboards; and of course, the theatrical trailer. Let’s contemplate at each of these:
THE DIRECTOR’S Slice OF KHAN – the film makes a bit more sense now that the scenes establishing the doomed cadet as Scotty’s nephew have been restored, and the restored dialogue adds a diminutive extra kick to the proceedings (it’s especially comical to hear Spock retort to Kirk’s telling him about his son with a disinterested “Piquant”) . But the film is composed as tightly structured and fast-paced as it’s ever been; the added footage does nothing to tedious the film down or to injure the tale (although some nit-pickers will execute the hilarious claim that the whopping THREE minutes restored to the film “butcher” it and raze the pace-how can this be when the added three minutes are spread out over the whole film? ) . Rather, it gives it a bit more punch. As for the seek of the film, it’s certainly a lot cleaner and brighter than most other prints, but even with the digital re-mastering, there’s aloof a lot of visible film grain. Like STAR TREK: THE MOTION Narrate before it, KHAN looks its age regardless of the print quality. But this is a minor detail. Overall the film looks graceful obedient.
COMMENTARIES – both challenging and delicious. Meyer’s regular guy vibe and insights into the making of the film are provocative, and Okuda’s trivia-heavy text comments are a joy for anyone who thrives on incandescent useless fanboy tidbits.
CAST INTERVIEWS – a current time capsule in which the film’s leads hump the film. But let’s face it; the coolest thing about this insert is seeing Leonard Nimoy dressed like a pimp. Spock in a pink suit is perhaps the greatest source of laughs you’ll ever win.
DOCUMENTARIES – by far, the coolest of these is “Where No Man Has Gone Before,” which covers the stylish FX work ILM did on the film. The giddiness with which the film’s FX crew recalls their work on the film is enormously contagious. “Designing KHAN,” about the film’s costume and position designs, is delicate respectable, too. “Captain’s Log,” about the overall making of the film, is uneven though. Where Meyer, producer Harve Bennett, and Ricardo Montalban are discussing what went into the making of the film, William Shatner spends his time being a total wiseacre, either mercilessly razzing his pal Nimoy (“I mediate the death scene would have been better if we DIDN’T behold him thru the glass!” and “Oh, he knew he was coming support, he status me up to reflect he was leaving…I’ll acquire him one day!”) or joking about how he weak women’s cosmetics to notice younger. And Nimoy is no better, cracking wise about how remarkable older Shatner is than he. (For those of you wondering, this is how they act around each other all the time.) The insight/clowning-around mixture simply doesn’t jell. But to be glorious, at least Nicholas Meyer is finally acknowledged as the author of KHAN’s shooting script, not Jack Sowards as has been erroneously credited. “A Fresh Reach” is absorbing, but dry; it bogs down when the authors recite passages from the novels. The moments where they discuss how KHAN formed the backbone of their work and note their fan knowledge are the most scrumptious, even if the supertitles obsolete during the film clips steer too worthy into jokiness.
STORYBOARDS – mind-blowing. We’re treated to the conceptual sketches of the film’s FX shots (including the combat sequences, which match those in the finished film almost exactly), as well as some terrific concepts for the opening title sequence and the “Spock monologue” finale that really should have been feeble in the film. Illustrated by the unhurried Mike Minor, these storyboards read like a really valid humorous book.
THEATRICAL TRAILER – radiant dramatic for a teaser, and it gives a honorable opinion of what the film was going to be.
Despite a couple of rocky patches, the “director’s edition” of STAR Accelerate II: THE WRATH OF KHAN is a top-notch package to a really grand film. Highly recommended.
clicknread phonics
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Scholastic Treasury of 100 Storybook Classics Overview At Amazon.com.
Monday, July 26th, 2010Product: Scholastic Treasury of 100 Storybook Classics
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I understanding this place was a vast understanding. It comes well packaged and each of the main books included covers one of the DVD pages. When I list the names below, the stories on the veil will be labled with an “*” …
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I was disappointed by the organization. Yes. The stories artre all clearly listed on the box in alphabetical order, but they’re hard to glean on the DVDs because they’re not organized in any particular intention per DVD plot.
For example. I Adore Courduroy. They probably could have included the live action movie along with the two cartoon versions that more closely resemble the books. Instead.. they establish a book called “Yo! Yes? ” on the DVD… That starts out with two kids throwing a ball encourage and forth saying and one saying “You? … …. …. ” pointing to himself and tossing the ball and the other one responding “You? … … ….” …… hmmmm… not so educational. Not so provocative. Kind of a destroy of residence on the DVD. This particular DVD also has “Here Comes the Cat!” — which I had never heard of.
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While skimming the DVDS, I notion I was getting jipped. 3-4 stories on each of the 16 DVDs doesn’t really advance up to 100. Thats when I noticed they were counting sories they keep in the DVD features as a special. I conception the features set was supposed to be for author comentaries… steady extras..?? Then.. The best allotment of this is that you actually only come by 90 stories. 10 are also available in Spanish. If you’re not learning spanish.. Given that most DVDs currently near in English and Spanish— This was a miniature disappointing. AND misleading. I contemplate that’s why I couldn’t rep a list of stories included ANYWHERE.
The “read along” is really unbiased captions. You can turn them on yourself.
You can’t skip their advertisement for the DVD situation you already contain. You can mercurial forward… but strangly, you are then able to forward past the main menu and slay up watching something aweful.
That being said.. there are a few edifying ones on here. I haven’t really decided if it was worth buying as a dwelling or if I should have purchased each one individually. I spent $50. I’m seeing some of the individuals selling former for as rude as $1. (I don’t deem I’d utilize noteworthy more than $3 on each one as an individual) . Resale value is uncouth….
Key to my list:
Here’s the list (And again.. astericks ticket the ones that are on the camouflage) . (Sp) means that it is also in Spanish. I have gone ahead and numbered them Sp-10 accordingly. “Bonus” means the anecdote is located in the special features fragment as a bonus yarn, rather than on the main menu. … I only included such detailed info on 8 of 16 DVDs. However, all of the titles are listed.
A-C
1. Alligators All Around
2. Angurs and the Ducks
3. Antartic Antics [Fly Record 2 of 5]
4. Obliging. 3
5. The Beast of Monsieur Racine
6. Blueberries for Sal [Ducklings Epic 2 of 5]
7. Burt Dow: Deep-Water Man [Ducklings Record 4 of 5] “Bonus”
8. By the Light of the Halloween Moon [Lagoon Tale 3 of 7]
9. Cat and Canary
10. The Caterpillar and the Polliwog
11. Changes, Changes
12. Charlie Needs a Mask [Moo Account 5 of 5] “Bonus”
13. Chicka Chicka Grunt Boom
14. Chicken Soup with Rice
15. Chysanthemum
16. * Click, Clack, Moo: Cows That Type [Moo Account 1 of 5] (Sp6)
17. * Corduroy [Corduroy Narrative 1 of 4]
18. The Cow who Fell in the Canal [Moo Fable 4 of 5] “Bonus”
19. Racy George Rides a Bike
D-G
20. A Darm Unlit Legend [Lagoon Yarn 5 of 7] “Bonus”
21. The Day Jimmy’s Boa Ate the Wash [Moo Fable 2 of 5]
22. Drummer Hoff [Harold Narrative 5 of 6] “Bonus”
23. Elizabeti’s Doll [Mama a Llama Account 3 of 5]
24. Five Creatures [Mama a Llama Narrative 5 of 5] “Bonus”
25. Fossie and the Fox
26. The Foolish Frog
27. 14 Rats and a Rat Catcher
28. Georgie [Lagoon Anecdote 6 of 7] “Bonus”
29. Pleasant Night, Gorilla
30. Goose [Mama a Llama Yarn 4 of 5]
31. The Mountainous White Man-Eating Shark
H-L
32. Delighted Birthday, Moon
33. The Glad Lion
34. * Harold and the Purple Crayon [Harold Legend 1 of 6]
35. Harold’s Fairy Chronicle [Harold Sage 3 of 6]
36. Harry the Dirty Dog
37. The Hat
38. Here Comes the Cat! [Corduroy Yarn 3 of 4]
39. Hot Hippo
40. How do Dinosaurs Say Proper Night?
41. In the Night Kitchen
42. * Is Your Mama a Llama [Mama a Llama Fable 1 of 5] (Sp1)
43. Joey Runs Away
44. John Brown, Rose and the Midnight Cat
45. Joseph Had a Slight Overcoat [Nona Account 2 of 4]
46. Keeping House [Fly Epic 4 of 5] “Bonus”
47. Lentil [Ducklings Legend 5 of 5] “Bonus”
48. Leo and the Unhurried Bloomer [Mama a Llama Record 2 of 5] (Sp2)
49. A Letter to Amy
M-P
50. * Perform Contrivance for Ducklings [Ducklings Record 1 of 5] (Sp5)
51. Monty
52. Musical Max [Fly Fable 3 of 5] (Sp7)
53. The Mysterious Tadpole [Harold Account 4 of 6] “Bonus”
54. The Napping House
55. Officer Buckle & Gloria
56. One Was Johnny
57. Owen
58. The Paperboy
59. Patrick
60. Pet Present!
61. Peter’s Chair
62. Picnic
63. A Characterize for Harold’s Room [Harold Anecdote 2 of 6]
64. Pierre
65. The Pig’s Wedding [Moo Yarn 3 of 5]
R-T
66. The Rainbabies [Corduroy Record 4 of 4] “Bonus”
67. Rosie’s Walk
68. Smile for Auntie [Harold Yarn 6 of 6] “Bonus”
69. The Snowy Day
70. Stone Soup [Nona Chronicle 3 of 4] (Sp4)
71. A Stoy, A Story
72. * Strega Nona [Nona Memoir 1 of 4] (Sp3)
73. The Fable of the Mandarin Ducks [Nona Memoir 4 of 4] “Bonus”
74. * The Teacher From the Dismal Lagoon [Lagoon Yarn 1 of 7]
75. Teeny-Tiny and the Witch-Woman [Lagoon Account 7 of 7] “Bonus
76. * There Was an Outmoded Lady Who Swallowed a Waft [Fly Myth 1 of 5]
77. The Three Robbers [Lagoon Epic 4 of 7]
78. Time of Wonder [Ducklings Account 3 of 5]
79. Trashy Town
80. The Trip
V-Y
81. The Village of Round and Square Houses
82. Waiting for Wings [Fly Memoir 5 of 5] “Bonus”
83. What’s Under my Bed? [Lagoon Narrative 2 of 7]
84. A Weekend for Wendell
85. Where the Whild Things are
86. Whistle for Willie
87. Who’s in Rabbit’s House?
88. Why Mosquitoes Buzz in People’s Ears
89. The Wizard
90. Yo! Yes? [Corduroy Anecdote 2 of 4]
Recap:
One star lost for awful organization.
Half star lost for myth selection and choices of movies. (They’re not all so tremendous.. but I guess that’s what you inquire with 100 stories, lawful? )
Half star lost for including “Bonus” spanish versions as 10 of the 100 stories.
… Oh .. And spanish versions are included for:
click Click Moo, Consuming George Rides a Bike, Is your Mama a Llama, Leo and the Behind Bloomer, Originate Plan for Ducklings, Musical Max, Stone Soup, Strega Nona, Where the Wild Things Are, Why mosquitoes buzz in Peoples Ears.
~Cheers!~
As a Reading Specialist and grandmother, I enthusiastically endorse the Scholastic Care For of 100 Storybook Classics. First of all, they selected obedient books for children. Secondly, they utilized the illustration style of the originals, so the aesthetics of the books are clearly presented and preserved. Thirdly, the animation is well-done though not overdone. The pacing is lifeless, as when a book is read aloud. This gives the listener a chance to bear the legend, honest as he or she would if the legend were being read aloud. It even has the option to include the text on each page, if you have a blossoming reader. In fact, this is unprejudiced about the equivalent of having someone read aloud mountainous portray books for your child, while you do — whatever.
Totalgym
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Buy A Bullet for the General Dvd Movie At Amazon.com!
Saturday, July 24th, 2010Product: A Bullet for the General
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Following with the unlikely alliance of an opportunistic American (Lou Castel) and a Mexican bandit (Gian Maria Volonte) who sells arms to the rebels, the first half hour or so of Damiano Damiani’s cult classic is more than a bit ropey. The director has peril establishing the relationship between the two leads and resorts to a succession of shoot-em-ups. Thankfully, these are better handled than the drawn out opening attack on the sigh carrying Castel’s enigmatic gringo, in which too many of the ideas are in the script and too few in the execution.
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If the first half is the usual running with the rebels territory, the film becomes more complex as it progresses. It is sure from the beginning that the gringo is working to his believe agenda, and throughout the course of the film he steers the group towards it. Not enthusiastic in women, he professes to be eager only in money, yet at one point kills a rebel paymaster and throws away his cash. Yet even after his unprejudiced and the bandito’s allotment in it become positive, the film manages to occupy the characters even further in an bright epilogue.
Both may be mercenary, but finally decide their believe executioners, although in very different ways. Castel inadvertently because, despite ruthlessly killing those on both sides to carry out his kill, he is ultimately not ruthless enough, Volonte voluntarily, passing judgement on himself when he realises the consequences of his actions.
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Castel is a fairly anonymous lead as the ‘ugly American’, a potential flaw which the director manages to turn to the film’s advantage. A correct void, he has no ideals and no scruples but is instead a remorseless pragmatist. The staunch undercurrents in their relationship are brought out by Volonte; his bandito, first seen literally banging his maintain drum, manages to avoid caricature. His growing politicisation is convincing, as is his spellbound watch of (largely sexual) confusion at the gringo during a confrontation with a landowner. The audience’s sympathies are never directly engaged, our involvement with the character more covert and accidental en route.
Hailed as the best of the political spaghetti westerns, A Bullet For the General doesn’t quite live up to the epithet but is collected a noteworthy example of the genre. Co-writer Franco Solinas also wrote Battle of Algiers and Quiemada, and his revolutionary fervour is very visible in the film’s parallels with America’s covert overseas operations and the presence of a militant priest throwing hand grenades in the name of the Father, Son and Holy Ghost (a less wired than usual Klaus Kinski as Volante’s half-mad half-brother) . The film even ends with a call to arms -”Don’t prefer bread, win dynamite!”
This title ranks among the best spaghetti westerns, and it is in my personal top 10 spaghettis. Gian-Maria Volonte is vast as usual and the movie fits to his political views. Too abominable he abandoned the western genre after ‘Face To Face’ in 1967. I wish he’d made for westerns as it is a spacious pleasure to seek him either he plays the hero or the villain. He played in 4 westerns all of which are considered to be in top 10 or at least top 20. Also check for ‘Sacco&Vanzetti’ (not a western though) to recognize how talented he is.
Total Gym 2000
Best Price Found On Zulu At Amazon.
Friday, July 23rd, 2010Product: Zulu
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Zulu is one of the greatest historical action movies ever made, and one of the mammoth war movies. It is based on what historian Michael Glover terms “the most highly decorated battle in British history”, the defence of Rorke’s Drift during the Zulu War of 1879. Eleven of the defenders received Britain’s highest award for military valor, the Victoria Cross–the rarely awarded counterpart of the US Congressional Medal of Honor. The movie is a landmark in the art of cinema for its astounding combination of state, cross-cultural engagement, a actual chronicle, obedient script and magnificent cast. This 1964 film never looks tired, despite my many years of rerunning it in 16mm, the Criterion laserdisc, and now the Front Row Entertainment Inc. DVD. Anecdotally, military colleges have broken-down Zulu to reveal the power of directed massed musketry, and leadership and teamwork in combat.
Zulu is the greatest achievement of the career of British actor Stanley Baker, who co-produced with US-born, formerly blacklisted director Cy Endfield. Nothing else in the genre really measures up, including Endfield’s so-called “prequel”, Zulu Dawn, or other epics based on British colonial wars, such as Khartoum. It was filmed on set in the grandeur of Natal, South Africa, with descendants of the Zulu warriors who took section in the modern action portraying their forebears. The prominent Zulu politician and conventional chief, Mangosuthu Buthelezi, plays the Zulu leader, his distant relative Cetewayo. Mass Zulu participation in the project guaranteed the uplifting dignity and authenticity of cross-cultural characterisations of the film. Early elegant scenes with masses of Zulu extras indicate the Zulu royal kraal, with a mass wedding of warriors in progress as news arrives of the annihilation of a strong British force at Isandhlwana. These modern scenes probably never could be filmed again because of social and cultural change. The nearest conceptual comparison in the war genre that comes to mind is the cross-cultural aspect of Tora! Tora! Tora!
Stanley Baker believed so strongly in Zulu, despite difficulties in raising finance, that he sank powerful of his bear money into it. Playing a British Army engineer officer thrust by events into leading a desperate defensive action following the distress of Isandhlwana, he heads a strong cast, including a young Michael Caine as an upper crust infantry officer. There are astonishing cameo roles by Jack Hawkins as an alcoholic missionary; Nigel Green as the imperturbable Colour Sergeant Bourne, always ready with a calming order or a bayonet; James Booth as Private Hook, portrayed as a malingerer who is perhaps the least likely Victoria Ghastly winner; Patrick Magee as Surgeon-Major Reynolds, continuing up to his elbows in surgery even as Zulus try to crash in. The narration by Richard Burton is very elegant, and in character with the Welsh origin of the British soldiers. Welsh and Zulu singing on the cinematic battlefield is spine-tingling.
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This film deserves the very best frame-by-frame and soundtrack digital restoration and DVD transfer that technology can provide, working from an current 70mm print. Meanwhile, the Front Row Entertainment Inc DVD, about the equal of the Criterion laserdisc, will have to do. The image quality is noteworthy less arresting than we now inquire of of fresh DVD releases. The color and audio are unprejudiced passable. It is in widescreen format.
Stanley Baker died in 1976. Cy Endfield died in 1995. Other players who have passed on include Jack Hawkins in 1973; Nigel Green in 1972; and Patrick Magee in 1982. Before all key players in this project die, a retrospective on the making of the film–interviews, at least, with participants like Michael Caine and Mangosuthu Buthelezi–should be compiled for a recent collector’s edition DVD. At the time of writing, Sir Michael Caine (age 69) seems to be enjoying the afterglow of his prolific career in cinema and dabbles in restaurants, and Dr Buthelezi (age 74) is Minister for Home Affairs in the Government of South Africa. James Booth (age 69) continues on stage and hide.
Michael Glover’s book, “Rorke’s Drift” (Wordsworth Editions 1997) is recommended reading for anyone with a detailed interest in the historical background.
In January, 1879, a column of British soldiers comprised primarily of the 24th Regiment of Foot, South Wales Borderers, was wiped out at the contemptible of the mountain, Isandhlwana, in Natal, South Africa. A expansive contingent of 4,000 Zulu warriors then moved on to the undermanned expedition dismal at Rorke’s Drift. This movie tells the extraordinary just sage of the subsequent battle, and of the victory of the 90 some British soldiers, many of them sick, who held their post in the face of overwhelming odds. Peek Donald Morris’ definitive book, _The Washing of the Spears_, against which this film tale compares most favorably.
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This neglected classic was filmed at a time when it was smooth unbiased possible to associate the word “glory” with military victory– without a sneer. The makers of the film avoid preaching and impartial let the battle protest the sage of the men of both sides. The British soldiers are not the “trustworthy guys” nor are the Zulus “abominable guys,” and the lone derogatory comment about the fighting ability of the Zulus is instantly rebuffed by a tough Boer cavalryman who says, “And objective who do you deem is coming to wipe out your petite garrison, the Grenadier Guards? ” This is a soldier’s fable about a soldier’s fight.
Did the Welsh really order “Men of Harlach” as they manned their mealie-bag barricades?
Did the Zulus really render a warrior’s salute as they broke off the action on the second day of the battle?
It doesn’t matter. The film is honest in the historical basics that really count.
Beautifully filmed on state, with an outstanding, stirring pick up by John Barry, this film features solid but appropriately understated performances by Stanley Baker, Michael Caine, and Jack Hawkins.
I hesitate to mention the gross, politically right pre-quel, _Zulu Dawn_ which was released almost 25 years after _Zulu_, but any viewer who has the miserable experience of seeing _Zulu Dawn_ should not be save off from seeing _Zulu_, which shines in comparison.
Whether one is fervent in military history or a “movie for men who like movies,” _Zulu_ is a excellent addition to a film library. From first to last, it is a compelling, wonderful film.
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Get Out of the Past Movie At Amazon.com!
Thursday, July 22nd, 2010Product: Out of the Past
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Robert Mitchum stars in “Out of the Past” as Jeff Bailey. As the film opens, he is the owner of a tiny town gas station; he’s romancing a sparkling girl (Virginia Huston) and his life seems idyllic. However, a stranger arrives looking for Bailey, and everything changes irrevocably. The anecdote is told partially in flashback – enumerating his past with a cutthroat gangster (Kirk Douglas) and a mysterious moll (Jane Greer) – and partially in the note as his past ensnares him into a complicated morass of abolish and revenge.
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“Out of the Past” is a quintessential 1940s film noir, fair up there with “Double Indemnity” and “The Maltese Falcon,” although it’s arguably not as well known as those classics. The script is whip-smart and filled with shining dialogue – a character asserts to Bailey, “Don’t you search for you’ve only me to earn deals with now? ” and Bailey shoots wait on, “Execute my gallows high, baby.” Each scene is perfectly shot with an abundance of ambience; director Jacques Tourneur specialized in short-tempered films, such as “I Walked with a Zombie,” and he certainly scores here. The dwelling is corpulent of crosses and double-crosses – it’s admittedly not one of the most complex film noirs; however, the characters are perfectly etched, and the film builds to a heartbreaking conclusion.
In 1991, “Out of the Past” was inducted into the National Film Registry, which protects valuable American films. The film clearly deserves this honor and fortunately will be preserved for future generations of film noir fans. Overall, “Out of the Past” is one of the best film noirs I’ve seen and a great movie in every arrangement. Most highly recommended.
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DVD extras: the main extra is a somewhat dry but informative commentary by James Ursini, an author famed for writing about film noir.
This classic film noir, featuring the twin cleft-chinned presences of
Robert Mitchum and Kirk Douglas, has got to be one of the most
enjoyable ever made. It’s not the somewhat confusing state, but the
snappy dialogue — and the confident acting — which makes it work so
well. The repartee (“A woman with a rod is like a man with a
knitting needle”) is kindly of some of the best screwball
comedies and yet it’s unprejudiced as dismal as a noir should be in terms of the
desperate things the characters do and the unpleasant things that happen
to them as a consequence. Jacques Tourneur (“Cat People”,
“I Walked With a Zombie”) directs with finesse, but the
importance of an ace writer like James M. Cain (“The Postman
Always Rings Twice”) — uncredited for some reason — can’t be
stressed enough. He deserves as distinguished credit for the success of the
film as Tourneur, Mitchum, Douglas, and attractive femme fatale Jane
Greer, the woman who seduces both Mitchum and Douglas — rod in hand.
Watch Globe Trekker – Spain Movie Online
Monday, July 19th, 2010![]() |
Watch Globe Trekker – Spain Movie Online.
Movie Title: Globe Trekker – Spain |
I had hoped to expend this in my (Spanish) classroom, to replace an mature PBS Going Places VHS. However, it has several things in it that are detestable for school-aged children (I’d effect it at about PG-13) and I certainly can’t utilize it in a middle-school classroom! Scenes about mature sex toys are blooming remarkable unnecessary in any disappear video; then to procure that the reveal was traveling and not even a permanent fixture in the town unprejudiced made me more upset! I do savor the adventurousness of this series; but sometimes things go a bit over the edge (there’s an emphasis on drinking and partying, and some of the ways the two women sleep are simply hazardous for women traveling alone!) This is a very informative video for the average adult traveler. I simply can’t spend it in the classroom.
Globe Trekker is an acquired taste! But for those of us who have acquired it – oh, baby!!! This is not your typical recede video. You won’t be shown the top sights in a dwelling and then have specific hotels or eating establishments pushed on you. This is a droll, zany sight at depart through the eyes of various people who feel like friends by the ruin of the shows. This shows you seek the underbelly of Spain. The culture. The people. Spend it to supplement that Rick Steves video (which are always first rate) and the guidebooks you will occupy. Don’t seek information from it all, fair inquire fun!
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Stream 12 Rounds Online
Monday, July 19th, 2010![]() |
Stream 12 Rounds Online.
Movie Title: 12 Rounds |
If nothing else one has to give credit to the WWE for attempting to spread out further than the squared circle. While their attempt at a fresh football franchise failed, their diving into the world of film has done well for them. Some movies hit highs and some topple to lows but they’re almost always enchanting. They also provide a jumping board for the careers of their wrestlers. Such is the case with John Cena.
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Cena has starred in one film already, the well received THE MARINE. An action film seemed a natural leap for him and he did a glorious job handling acting and action chores both with ease. The next step was finding a follow up vehicle and that came about with the fresh release 12 ROUNDS.
Cena stars as Recent Orleans policeman Danny Fisher who winds up by circumstance in the middle of an FBI hunt to track down a terrorist named Miles Jackson (Aidan Gillen) . A lag follows and after he stops the terrorist, Jackson tells his girlfriend to rush before he takes the time to stare an oncoming truck in her path. Blaming Fisher for her death, he swears they’ll meet again.
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Fast forward one year later and Danny is now a detective. He heads to work only to catch a phone call. It’s Jackson and he informs Danny that he’s taken Danny’s girlfriend Molly (Ashley Scott) hostage. Impartial to let him know he’s serious, Jackson blows up Danny and Molly’s house while Danny watches. He then tells him they’re going to play a game with the life of Molly hanging in the balance. All Danny has to do is regain the majority of the 12 rounds Jackson has planned for him.
Danny contacts his partner on the force for assistance and then heads out to buy on the first round. Each one sets him up for a life or death station for either himself or some innocent person who finds themselves interested in helping him. While he rejoices at the wins, he begins to feel guilty over the losses as they involve the death or injury of someone else.
Along the scheme the FBI become enthusiastic since they’ve been watching all along. Of course Danny’s not to interested to work with them since they failed to recount him earlier of the prison rupture provocative Jackson. Unlikely allies launch to work together to try and occupy down this indignant man while saving Molly at the same time.
Steve Harris stars as Special Agent George Aiken, the main agent in charge of catching Jackson from the initiate. His concerns focus more on the recapture than on saving Molly. Of course this results in head to head conflict with Danny and his goal of saving the woman he loves. Agent Aiken has a personal reason for wanting Jackson caught as well but eventually realizes he may have establish his personal interests above the life of this woman.
The clock is ticking and with only so many hours allotted for Danny to complete all of his tasks, he struggles to accept a device to beat Jackson at his contain game. Beaten down, battered along the procedure, the final showdown approaches. Only then will we notice who wins and who loses the game of 12 rounds.
Cena does a fair job here with only one dilemma. He’s never given considerable chance to act. Perhaps that’s the method, giving him unprejudiced enough moments to convince people of his sincerity but for the most share fair jumping, running and fighting to arrive the films conclusion. Cena can do a decent job of acting but unless he’s given the opportunity, his chances of a long term career in film dwindles.
While the film does offer the requisite amount of action with minimal amount of position, the twists and turns Jackson puts Danny through are new for the most allotment. But as I was watching this film I kept thinking I’d seen it before. It was only after I was reminded by a friend that I effect it all together and realized that Bruce Willis was fair powerful set through the paces of games that kept him running in DIE HARD 3. While this film is not an accurate copy, the overall feeling creeps in at times.
That being said, it remains a glowing portion of entertainment. The production values are well done and all the money spent to earn the relate shows on the hide. Rarely has Original Orleans looked this honorable and with the abominable press of Katrina, it’s nice to look the locale frail once again.
All in all you won’t do bad by renting this film to eye. And for Cena fans, you’ll want to add it to your collection. But let’s hope that he gets the chance to stretch himself a diminutive further in his next film. Only then can he hope to effect greater stardom rather than regain himself in the straight to DVD category.
In his earlier movie, John Cena was The Marine, which was not very well received. In 12 Rounds, he stars as Detective Danny Fischer of Recent Orleans Police Department. This movie is definitely a step up from The Marine as Cena has developed his acting and action skills further. The tale is intriguing and the action sequences are spectacular but one gets the feeling of having seen it all somewhere before. The bus bomb sequence is ripped from Run – the bus number here is 5050, in Accelerate it is 2525. The blowing up of Cena’s partner is another scene that takes me benefit to Hurry [Blu-ray]. The streetcar sequence is somewhat similar to the advise sequence in Spider-Man 2, but the action is more `human’ than superhuman, so to grunt. Others remind me of the various Die Hard movies.
Nevertheless, the director and the writers deserve credit for integrating all these sequences into a seamless whole so that it does not feel contrived or even impossible (we know it is) . Aiden Gillen is pleasurable as the villain of the part, terrorist Miles Jackson. For once, the hero in this movie does not try to do everything on his fill – he reluctantly agrees to FBI cooperation.
It is also ample to peer Unusual Orleans being traditional as a locale for an action film. We are quite customary to seeing L.A., Unique York and Chicago as a backdrop for action movies, but this was a revelation. The city looks graceful on blu-ray and even the many night scenes are well done. The film makers have gone to expansive lengths to exercise authentic settings, though I do not know the extent to which they mature FX and CGI. The ending of the film was never in doubt, but it was a fitting finale. I have not yet seen the alternative endings, though. One word about the Digital Copy – it suffers from too many artifacts in some swiftly interesting scenes, but the overall presentation is satisfactory.
Cena’s acting career is objective starting to purchase off and this is a great better outing than The Marine. The future can only be brighter. This film can heartily be recommended for all action lovers.
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